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Welcome to On the Road

Many years ago I wrote a newsletter column called On the Road. The column lusted after literary credibility by borrowing (stealing) the title from Jack Kerouac's novel. But in fact, it sunk to the rambling and muttering that is the fate of virtually all running-related writing.
The rambling and muttering continue here in quasi-blog form. My writing and interests (links) are random, personal, and ad-free. Dave Smith.

Love is a snowmobile racing across the tundra and then suddenly it flips over, pinning you underneath. At night, the ice-weasels come. [Matt Groening] [more quotes]

5 Easy Pieces

Not the 1970 film with Karen Black and Jack Nicholson, but five easy novels for January into March.

"And you feel you have exerted your very best efforts in this matter, do you? That you have exercised all of your considerable ingenuity? That you have left no depth of cunning unplumbed in your quest to retrieve the memory?"
Dumbledore speaking to Harry in The Half-Blood Prince. In this, the sixth and penultimate Harry Potter novel by J.K. Rowling, the writing has grown as the cast has aged, from pre-teen to mid-teen.

In January I read the 5th book, Harry Potter & the Order of Phoenix, and in March it was the Half-Blood Prince.

It was time to finish my two unread Elmore Leonards. Raylan was typical of his style and skill -- fast moving with snappy dialog, and leaving out "the stuff most readers skip" (in Leonard's words).

My last Leonard book was not typical. Touch tells the story of a faith-healer The dialog is strained, the action sparse, the subject difficult. Leonard had trouble getting it published. It's good but should not be your introduction to Elmore Leonard.

February reading also included another Kathy Reichs novel, Monday Mourning.

The heart of this plague dominated winter inspired mostly "comfort" books,and these five were that.

[March 20, 2021] [top]


20,000 LPs

When is enough enough? Cats know when they've eaten enough. They stop eating. Dogs don't. I don't think cats and dogs change their "enough meter" as their lives roll on. But some humans can change.

In 2016 I took a look at my long-playing record collection and was struck by a simple but alarming thought - enough is enough. After a lifetime accumulating these magical vinyl music feasts, I realized that I not only had enough but I had too much.

I counted them. It was an estimated count using this method: x number of LPs in 10 inches of shelf space multiplied by the number of shelf inches (in 10 inch segments) with LPs. I had over 20,000 LPs.

It had been fun accumulating them, and it had been exhilarating having them and listening to them. But there were too many. Suddenly they were a burden. A very heavy burden. I no longer owned them. They owned me.

The weeding and triaging began. The first huge wave was filled by the "not quite perfect" records. And vinyl being vinyl, especially old vinyl, there were many LPs that fit the "not quite perfect" ranking.

In 2016 I donated 1,378 to the Salvation Army. In 2017, I persuaded the Salvation Army to pick up another 6,072 by truck, and in 2017 an Epilepsy Foundation truck picked up 2,650. By 2019, the triaging had progressed to the next round, where the records were in good condition and mostly played well, but as I systematically played through them I chose to discard many. If I had a CD version of the same recording and the LP was not perfect, I parted with the LP. There were sentimental exceptions. For example, I kept all the Glenn Gould LPs. In 2019 and 2020, the discarded records all went to a used bookstore that sold used records.

Was this a valuable collection? Not really. It was 95% classical music and used classical vinyl is hard to sell. I've tried and failed. Classic rock is another story. There's value there. But most 1950s-1980s LP recordings of Bach and Mozart are not sought after. On the other hand, I've retained some LPs that sell on Ebay for $20 to $200.

From 2016 and 2021, I donated 14,983 records. I gave another 100 to a friend. I still have 5,200 records (estimated). That's enough. Maybe more than enough. The wheel may turn again.

I currently have three working and active turntables that play vinyl.
(1) Rega RP6 with Ortofon 2M Black cartridge
(2) Technics SL 1650 with KAB Custom Ortofon STY30/OM Series cartridge
(3) Technics SL BD-22 with Ortofon OMP10 / Stanton L720(78rpm) cartridges
The 1650 was the workhorse in playing through the 20,000 LPs over the past five years.

[March 13, 2021] [top]


Open Reel

Open reel tape for audio recording and playback is another dead technology. It was a high-end music medium for home use before CDs arrived. It is still favored by some audiophiles with high-end systems.

My open reel player was not high-end. It was a mid-fi consumer machine by Sony, the TC-255. While we lived in Brooklyn, I used it to record music from WBAI, WQXR, and WNCN. My (mostly) classical music collection grew enormously. And it didn't cost much because I recorded often on only one channel at a time. The result was that at 3 and ¾ inches per second (IPS), an 1800 foot reel of tape, which cost under $4 in 1970, gave me 6 hours and 24 minutes of music. If I had run the tape at the higher quality 7 and half IPS and recorded in stereo (both channels of each side of the tape), I would have had an hour and 36 minutes of music. Higher quality yes. But not within the budget. Professional recording was at 15 or 30 IPS, but those speeds were not available on commercial tape decks.

My "system" at that time was a Dynaco FM3 tuner (tube), Scott 260b amplifier, AR turntable, and AR 2ax speakers. The Scott provided a switch to select Left or Right input, which allowed me to play back the left or right channel on open reel tape to both speakers. This option does not exist on any of today's audio equipment, as far as I know (perhaps not much!).

In addition to recording music from the FM tuner, we also recorded Miriam singing and playing guitar. As a teen, she sang at Greenwich Village coffeehouses and at Washington Square Park, and she sang in college at concerts in the Student Union. And she still sings.

We also recorded our sons Matt and Noah in their early years, just beginning to talk. And we have a wonderful recording of our college friend Liberty Mhlanga, from Rhodesia (now Zimbabwe) singing some "click" songs during one his visits to our Brooklyn apartment.

The music off the radio was not worth keeping, but the family memories were. To preserve these recordings, the first step was to have the tape deck re-conditioned at Salem HiFi (MA). After that it was (and is) working perfectly.

Then some time went by as I thought about how to convert the analog tape selections to a digital format. The tapes still played, but they would not last. And the tape deck technology would not endure, nor would another generation want to use it. Threading tapes, locating the spot on the tape - left or right channel, side 1 or 2, where in those 1800 feet is the cherub talking - and connecting all the wires. Not likely.

The answer was the Tascam CD-A580. The unit plays CDs and cassette tapes. It also accepts input from an external source. That source can be an open reel tape deck. The Tascam can record to cassette tape or to a flash drive connected to the unit's USB port. By default it records input to the flash drive as an MP3. This means digital, and this means converting from analog to digital through the Tascam CD-A580.

After analyzing and discarding dozens of open reel tapes that had classical music only, I was left with about 20 tapes "of interest." While the poorly recorded music off the FM was clearly listed on the tape box or index cards, very little of the treasurable family memories was noted. If the tape was used but un-marked, it was likely to have Miriam singing, or Matt or Noah talking. But where? Somewhere, in channel L or R, on side 1 or 2, and somewhere on the 1800 foot tape. This was a winter project, and this was winter.


The "workshop" -- Sony open reel deck feeding the Tascam's L or R inputs (or both), flash drive for MP3 capture, and Grado SR80 headphones to monitor it all.

It took awhile. There were surprises, including a full tape, both sides, in stereo, marked New Year's Eve, 1981. What was this? Back in 1981, CDs did not exist, so if you wanted music for your New Year's Eve Party, and you had an open reel tape deck, you could compile many hours of party background music that would play with only one side turnover every 90 minutes. I'm not sure what I was thinking when I made this "party tape." Bob Dylan was followed by Enrico Caruso, and my music choices get stranger after that. Obviously I made this tape for ME to listen to during our New Year's Eve Party, and I'm confident that our guests ignored the music. If not, sorry.


Blank tapes came without tape leader, so to take advantage of all the tape, one needed to splice leader tape at te end of each side.


The tape heads need to be demagnetized about every 30 hours of use.


Need microphones! These two were (are) excellent.


In addition to the music I taped off the radio, I had (have) a small collection of "pre-recorded" open reel tapes.

[March 9, 2021] [top]